Showcase

This ePortfolio explores a range of work, experience, and specialties cultivated at IU Indianapolis.

This presentation shows my journey to become a General Studies student, minoring in Communication and Psychology. It reflects on my transition from music therapy to teaching, the lessons I've learned this semester, and my career goals of becoming a k ... g a kindergarten teacher and school counselor. My personal mission and vision are centered around supporting and empowering young learners as they grow academically and emotionally. Read more

I've created my final portfolio, weaving into a cohesive project that represents my undergraduate experience. It shows my learning and growth, connecting deeply with class discussions and lessons from the semester. The content is reflective of my exp ... y experiences and thoughts, meeting the high standards expected for an undergraduate capstone portfolio. and is something I'm proud to share. Read more

My personal development plan is a detailed portfolio describing my college journey.

Senior capstone design is a two-semester course sequence (BME 491/492) that guides student teams as they approach complex engineering problems through a major design experience with conceptualization, requirements generation, and system design. Stude ... nt Groups compile and showcase their research on the BME Capstone website. Select the website's Capstone Project tab to navigate the ePortfolio pages for each group. Read more

This paper explores Late Classic Maya art through the specifics of painted ceramicware and murals. Through my investigation, I explain why ceramics and murals in unison are especially exceptional art forms to aid in the study of Maya art and culture. ... I further discuss what painted illustration on both mediums provide to modern audiences about the Maya civilization by explaining how painted imagery on ceramics and murals elevates a colorful insight into the Maya. The Maya world builds upon already established Maya art and architecture in a way that enriches the artistic traditions and complex social systems. I also elaborate on how painted ceramics and murals, through similar techniques, styles, and iconography, played a vital role in allowing viewers to understand aspects of influential connections seen in the Maya mythology, ritual, courtly, and daily life. This paper is focused on the analysis of two ceramic vessels, the Metropolitan Vase and the Vessel with Ball Game Scene, and specific scenes from the wall paintings at Bonampak and Calakmul. The various forms of polychromatic iconography explored in this paper provides a prosperous position for surveying how the subsequent use of painted illustration attentively reflects the social, political, and cosmological structures and philosophies that the Late Classic Maya civilization was established upon and is known for today. Read more

The abject feminist art of the 1960s and 1970s shed light on the unglamorous and often outright traumatic experiences of women in the United States, rejecting notions of soft and sweet femininity. This paper examines this art with an inclusive transf ... eminist lens and finds that, while often radical for the time, many of its themes are complicit in patriarchal enforcement of bioessentialism and fail to create an actionable politics. This is particularly harmful in the current context of anti-trans legislation and pushes for queer assimilation. Timothy Morton and Chela Sandoval, among other scholars of post-humanism, assert that bioessentialism and anthropocentrism are no longer meaningful in the face of increasing scientific understanding and technological advancement, and that holding onto these concepts works to further encode bias into our world. This paper argues that this art can be reclaimed and brought into a transfeminist future by adopting a post-human understanding of gender, humanity, and nature. Read more

Xiao Lu is a contemporary artist and her first installation at the first abstract art exhibit at the Beijing National Art Museum. Her installation 'Dialogue'(1989) gained notoriety after Lu brought and fired a gun to her own work. Xiao Lu was silent ... as silent about why she did it and left the press with many questions. This paper is about her life before and after her 1989 installation. Read more

America's potters and ceramicists were regarded as essential craftsmen before 1850, however, after mass production of uniform and accessible pottery flooded American industry the need for these craftsmen and their utilitarian creations ceased being e ... ing essential. Soon after, glass products would take over and wipe out the economic value of pottery and stoneware, which had a primarily functional existence in the Midwest. Crafts are challenging Euro-centric fine art conventions and are gaining appreciation among traditional “high art.” This is crucial in conversation with the subjugations of elitism upon stoneware craftsmanship in a fine art context. In this paper, America's Midwestern stoneware evolution in value and aesthetic recognition is analyzed in examples of Indiana and Illinois potteries throughout 1830-1930. As well as how stoneware made it to the Midwest and its adaptation into an individual form separate from its German and British counterparts. Read more

The Pietà  iconography was seen almost over a hundred years before Michelangelo's sculpture and is derived from themes that were introduced in Christian art and practice centuries prior. Starting in 14th century Germany and spreading towards the Ital ... Italian peninsula, the Pietà  changed in style and meaning based on the various schools of sculpture. Along with an extensive visual language rooted in the history of Christian art, the Pietà  iconography combined the two themes of the relationship between mother and son and the interest in suffering. It also developed with influences from mystic literature and belief with a shift in emphasis on emotional connection. From this, in the artworks of Michelangelo, the Pietà  evolved from illustrating the Compassion of Mary to reflecting the pity of the artist changing its focus to Christ, the suffering man. Through the analysis of Michelangelo's three sculptures, this paper seeks to explain the history and development of the Pietà  and how it altered its appearance from grotesque to beautiful and later to a reflection of the artist's personal suffering. Read more